Monoclayd
- BPM
- 120
- Open Key
- 8d
- Energy
- 48/100
- Pop
- 0/100
- Length
- 7:30
- Released
- 2013
- Album
- Intergalactic Cinema / Monoclayd
- Genre
- Progressive House
- Loudness
- -11.9 dB
- ISRC
- ITH641062005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Monoclayd - Ezequiel Anile Remixremix3B · 122
A club-tempo progressive house cut, Monoclayd sits in D♭ major (3B) at 120 BPM. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Michael A's catalogue.
- Tempo:
- slower than 97% of Michael A's catalogue
- Energy:
- calmer than 95% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Monoclayd in?
Monoclayd by Michael A is in D♭ major, or 3B on the Camelot wheel.
What BPM is Monoclayd?
Monoclayd runs at 120 BPM, a club-tempo track.
What mixes well with Monoclayd?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Monoclayd good for peak time?
With energy 48 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.