Knee Deep in Louise
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 65/100
- Pop
- 34/100
- Length
- 8:00
- Released
- 2012
- Album
- Knee Deep In Louise/So High Remixes
- Genre
- Tech House
- Loudness
- -8.8 dB
- Dynamics
- 13.3 dB
- ISRC
- GB5LN1100112
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Knee Deep in Louise (Shadow Child remix)remix10B · 120
Knee Deep in Louise: club-tempo tech house, D major (10B), 120 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. Slower than 97% of Hot Since 82's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 86% of Hot Since 82's catalogue
- Reach:
- better known than 86% of Hot Since 82's catalogue
- Brightness:
- brighter than 85% of Hot Since 82's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Knee Deep in Louise in?
Knee Deep in Louise by Hot Since 82 is in D major, or 10B on the Camelot wheel.
What BPM is Knee Deep in Louise?
Knee Deep in Louise runs at 120 BPM, a club-tempo track.
What mixes well with Knee Deep in Louise?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Knee Deep in Louise good for peak time?
With energy 65 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
![Bittersweet Emotion (Qrion Remix) [feat. Josh Tobias] by Qrion cover art](https://i.scdn.co/image/ab67616d00001e023636153835c911a0f51914f2){kind=small}
More tech house
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
