Transients - Drumcell Remix
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 6:01
- Released
- 2012
- Album
- Transients
- Genre
- Techno
- Loudness
- -12.8 dB
- Dynamics
- 9.4 dB
- ISRC
- USQY51786904
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Transients - V1original1B · 128
- Transients - Mike Gervais Remixremix2B · 126
- Transients - V2original11A · 128
Against the original (1B at 128 BPM), this version holds the same tempo and moves the key from 1B to 3A.
A peak-time tempo techno cut, Transients - Drumcell Remix sits in B♭ minor (3A) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Truncate's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 76% of Truncate's catalogue
- Low end:
- more bass-heavy than 76% of Truncate's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Transients - Drumcell Remix in?
Transients - Drumcell Remix by Truncate is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Transients - Drumcell Remix?
Transients - Drumcell Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Transients - Drumcell Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Transients - Drumcell Remix good for peak time?
With energy 70 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![Revok - Ø [Phase] Remix 2 by Dax J cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/4e9f446171582a1114b7.webp){kind=small}
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Truncate
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
