![Revok - Ø [Phase] Remix 2 by Dax J cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/4e9f446171582a1114b7.webp)
Revok - Ø [Phase] Remix 2
30s preview
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 56/100
- Pop
- 0/100
- Length
- 7:53
- Released
- 2014
- Album
- X PROJECTS pt1
- Genre
- Techno
- Loudness
- -9.5 dB
- Dynamics
- 8.7 dB
- ISRC
- GBZ031400023
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Revok - Ø [Phase] Extended Remixremix3B · 131
- Revok - Original Mixoriginal12A · 128
Against the original (12A at 128 BPM), this version holds the same tempo and moves the key from 12A to 4A.
A peak-time tempo techno cut, Revok - Ø [Phase] Remix 2 sits in F minor (4A) at 128 BPM. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Dax J's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of Dax J's catalogue
- Low end:
- more bass-heavy than 92% of Dax J's catalogue
- Tempo:
- slower than 88% of Dax J's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Revok - Ø [Phase] Remix 2 in?
Revok - Ø [Phase] Remix 2 by Dax J is in F minor, or 4A on the Camelot wheel.
What BPM is Revok - Ø [Phase] Remix 2?
Revok - Ø [Phase] Remix 2 runs at 128 BPM, a peak-time tempo track.
What mixes well with Revok - Ø [Phase] Remix 2?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Revok - Ø [Phase] Remix 2 good for peak time?
With energy 56 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Dax J
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
