Virtual Light by Christian Smith cover art

Virtual Light

Christian Smith

30s preview

Key
9B · G major
BPM
128
Open Key
2d
Energy
74/100
Pop
2/100
Length
6:00
Released
2018
Album
Count Zero EP (Part II)
Genre
Techno
Label
Tronic
Loudness
-7.0 dB
Dynamics
6.9 dB
ISRC
GBKQU1878679

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Virtual Light runs 128 BPM in G major (9B), a peak-time tempo techno record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is squashed flat, built for loudness (crest 7 dB). A 2018 production that still circulates in sets. Brighter than 82% of Christian Smith's catalogue. In a set it works best as a floor-filler.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood38Balanced
Groove80
Acoustic0
Instrumental91
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is Virtual Light in?

Virtual Light by Christian Smith is in G major, or 9B on the Camelot wheel.

What BPM is Virtual Light?

Virtual Light runs at 128 BPM, a peak-time tempo track.

What mixes well with Virtual Light?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Virtual Light good for peak time?

With energy 74 out of 100 at 128 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

#Track

More from Christian Smith

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track