Spend More Time With Me - Volodia Rizak Remix by Deborah de Luca cover art

Spend More Time With Me - Volodia Rizak Remix

Deborah de Luca

30s preview

Key
10A · B minor
BPM
128
Open Key
3m
Energy
71/100
Pop
0/100
Length
6:25
Released
2017
Album
Wanna Party
Genre
Techno
Loudness
-10.1 dB
Dynamics
9.9 dB
ISRC
DEUD41701164

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10B at 124 BPM), this version runs 4 BPM faster and moves the key from 10B to 10A.

Spend More Time With Me - Volodia Rizak Remix is a peak-time tempo techno track in B minor (10A) at 128 BPM. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Brighter than 99% of Deborah de Luca's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 99% of Deborah de Luca's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood85Bright
Groove69
Acoustic0
Instrumental93
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Spend More Time With Me - Volodia Rizak Remix in?

Spend More Time With Me - Volodia Rizak Remix by Deborah de Luca is in B minor, or 10A on the Camelot wheel.

What BPM is Spend More Time With Me - Volodia Rizak Remix?

Spend More Time With Me - Volodia Rizak Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with Spend More Time With Me - Volodia Rizak Remix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Spend More Time With Me - Volodia Rizak Remix good for peak time?

With energy 71 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Deborah de Luca

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track