Den Ganzen Abend
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 72/100
- Pop
- 38/100
- Length
- 7:07
- Released
- 2016
- Genre
- Techno
- Loudness
- -8.5 dB
- Dynamics
- 11.9 dB
- ISRC
- CAT391600024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Den Ganzen Abend is a peak-time tempo techno track in B minor (10A) at 128 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Groovier than 89% of Charlotte de Witte's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 83% of Charlotte de Witte's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Den Ganzen Abend in?
Den Ganzen Abend by Charlotte de Witte is in B minor, or 10A on the Camelot wheel.
What BPM is Den Ganzen Abend?
Den Ganzen Abend runs at 128 BPM, a peak-time tempo track.
What mixes well with Den Ganzen Abend?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Den Ganzen Abend good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Charlotte de Witte
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
