Labyrinth - D-Unity Remix by Carlo Lio cover art

Labyrinth - D-Unity Remix

Carlo Lio

Key
9A · E minor
BPM
127
Open Key
2m
Energy
97/100
Pop
0/100
Length
7:16
Released
2007
Album
Labyrinth
Genre
Tech House
Loudness
-8.0 dB
ISRC
CDDD90700026

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 127 BPM), this version holds the same tempo and moves the key from 3A to 9A.

At 127 BPM in E minor (9A), Labyrinth - D-Unity Remix is a peak-time tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. More underground than 99% of Carlo Lio's catalogue.

Energy:
hotter than 94% of Carlo Lio's catalogue
Brightness:
brighter than 81% of Carlo Lio's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood55Balanced
Groove80
Acoustic5
Instrumental89
Live67
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Labyrinth - D-Unity Remix in?

Labyrinth - D-Unity Remix by Carlo Lio is in E minor, or 9A on the Camelot wheel.

What BPM is Labyrinth - D-Unity Remix?

Labyrinth - D-Unity Remix runs at 127 BPM, a peak-time tempo track.

What mixes well with Labyrinth - D-Unity Remix?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Labyrinth - D-Unity Remix good for peak time?

With energy 97 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

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More from Carlo Lio

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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