DC Terrace - Edit
30s preview
- BPM
- 127
- Open Key
- 5m
- Energy
- 98/100
- Pop
- 0/100
- Length
- 4:09
- Released
- 2020
- Album
- Primrose EP
- Genre
- Tech House
- Label
- LTF Records
- Loudness
- -5.8 dB
- Dynamics
- 11.1 dB
- ISRC
- GBKQU2022809
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, DC Terrace - Edit sits in D♭ minor (12A) at 127 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Franky Rizardo's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 98% of Franky Rizardo's catalogue
- Brightness:
- brighter than 98% of Franky Rizardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is DC Terrace - Edit in?
DC Terrace - Edit by Franky Rizardo is in D♭ minor, or 12A on the Camelot wheel.
What BPM is DC Terrace - Edit?
DC Terrace - Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with DC Terrace - Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is DC Terrace - Edit good for peak time?
With energy 98 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Franky Rizardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
