
Won't Somebody
30s preview
- Key
- 8A · A minor
- BPM
- 127
- Open Key
- 1m
- Energy
- 99/100
- Pop
- 11/100
- Length
- 7:23
- Released
- 2010
- Album
- Don't No Yet
- Genre
- House
- Label
- Objektivity
- Loudness
- -5.3 dB
- Dynamics
- 20.9 dB
- ISRC
- USY6S1000001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo house cut, Won't Somebody sits in A minor (8A) at 127 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 21 dB). A 2010 production that still circulates in sets. Hotter than 98% of The Martinez Brothers's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 96% of The Martinez Brothers's catalogue
- Low end:
- more treble-tilted than 95% of The Martinez Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Won't Somebody in?
Won't Somebody by The Martinez Brothers is in A minor, or 8A on the Camelot wheel.
What BPM is Won't Somebody?
Won't Somebody runs at 127 BPM, a peak-time tempo track.
What mixes well with Won't Somebody?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Won't Somebody good for peak time?
With energy 99 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from The Martinez Brothers
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.