Nothing About It - Tobus & Aiuko Remix
30s preview
- Key
- 8B · C major
- BPM
- 127
- Open Key
- 1d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 7:05
- Released
- 2019
- Album
- Nothing About It
- Genre
- Tech House
- Loudness
- -7.5 dB
- Dynamics
- 11.2 dB
- ISRC
- GBLV61905851
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nothing About Itoriginal1B · 128
- Nothing About It - Franky Rizardo Remixremix3B · 125
- Nothing About It - Ghetto Mixoriginal3B · 127
- Nothing About It - Proudly People Remixremix3B · 126
Against the original (1B at 128 BPM), this version runs 1 BPM slower and moves the key from 1B to 8B.
Nothing About It - Tobus & Aiuko Remix is a peak-time tempo tech house track in C major (8B) at 127 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Carlo Lio's catalogue.
- Brightness:
- brighter than 98% of Carlo Lio's catalogue
- Energy:
- hotter than 96% of Carlo Lio's catalogue
- Low end:
- more treble-tilted than 78% of Carlo Lio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Nothing About It - Tobus & Aiuko Remix in?
Nothing About It - Tobus & Aiuko Remix by Carlo Lio is in C major, or 8B on the Camelot wheel.
What BPM is Nothing About It - Tobus & Aiuko Remix?
Nothing About It - Tobus & Aiuko Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Nothing About It - Tobus & Aiuko Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Nothing About It - Tobus & Aiuko Remix good for peak time?
With energy 98 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 127 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Carlo Lio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
