Take No One
- BPM
- 127
- Open Key
- 7d
- Energy
- 97/100
- Pop
- 1/100
- Length
- 7:35
- Released
- 2018
- Album
- Good to Me EP
- Genre
- Tech House
- Loudness
- -9.6 dB
- ISRC
- UK6GD1800011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in F♯ major (2B), Take No One is a peak-time tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Hotter than 88% of Seb Zito's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 82% of Seb Zito's catalogue
- Tempo:
- slower than 77% of Seb Zito's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Take No One in?
Take No One by Seb Zito is in F♯ major, or 2B on the Camelot wheel.
What BPM is Take No One?
Take No One runs at 127 BPM, a peak-time tempo track.
What mixes well with Take No One?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Take No One good for peak time?
With energy 97 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Seb Zito
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
