1995 - Simon Doty’s I Made Trance Extended Mix
30s preview
- Key
- 4A · F minor
- BPM
- 127
- Open Key
- 9m
- Energy
- 94/100
- Pop
- 2/100
- Length
- 7:26
- Released
- 2021
- Album
- 1995 (Simon Doty Mixes)
- Genre
- Progressive House
- Loudness
- -5.6 dB
- Dynamics
- 10.6 dB
- ISRC
- GBEWA2106203
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 1995 - Simon Doty’s Housed Up Remixremix4A · 124
- 1995 - Simon Doty’s Housed Up Extended Mixversion3B · 124
- 1995 - Simon Doty’s I Made Trance Remixremix4A · 127
1995 - Simon Doty’s I Made Trance Extended Mix: peak-time tempo progressive house, F minor (4A), 127 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 81% of Simon Doty's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 76% of Simon Doty's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is 1995 - Simon Doty’s I Made Trance Extended Mix in?
1995 - Simon Doty’s I Made Trance Extended Mix by Simon Doty is in F minor, or 4A on the Camelot wheel.
What BPM is 1995 - Simon Doty’s I Made Trance Extended Mix?
1995 - Simon Doty’s I Made Trance Extended Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with 1995 - Simon Doty’s I Made Trance Extended Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is 1995 - Simon Doty’s I Made Trance Extended Mix good for peak time?
With energy 94 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 127 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Simon Doty
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
