Dark Noise (Mix Edit)
30s preview
- Key
- 9A · E minor
- BPM
- 121
- Open Key
- 2m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 1:34
- Released
- 2025
- Album
- Jan Blomqvist Mini Mix
- Genre
- Deep House
- Loudness
- -10.8 dB
- Dynamics
- 12.8 dB
- ISRC
- NLF712505714
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dark Noiseoriginal9A · 123
- Dark Noise - ME & her Extended Remixremix10B · 123
- Dark Noise - ME & her Remixremix10B · 123
- Dark Noiseoriginal9A · 123
- Dark Noise - Animal Trainer Remixremix9A · 122
- Dark Noise - Fears for Tears Remixremix10B · 128
Against the original (9A at 123 BPM), this version runs 2 BPM slower in the same key.
Dark Noise (Mix Edit): club-tempo deep house, E minor (9A), 121 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Jan Blomqvist's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 94% of Jan Blomqvist's catalogue
- Tempo:
- slower than 80% of Jan Blomqvist's catalogue
- Brightness:
- darker than 77% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Dark Noise (Mix Edit) in?
Dark Noise (Mix Edit) by Jan Blomqvist is in E minor, or 9A on the Camelot wheel.
What BPM is Dark Noise (Mix Edit)?
Dark Noise (Mix Edit) runs at 121 BPM, a club-tempo track.
What mixes well with Dark Noise (Mix Edit)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Dark Noise (Mix Edit) good for peak time?
With energy 62 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 121 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
