Warewolf - Bring on the Night-time (Live at the Barbican)
30s preview
- Key
- 9B · G major
- BPM
- 121
- Open Key
- 2d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 12:55
- Released
- 2017
- Album
- Refracted (Live)
- Genre
- Progressive House
- Loudness
- -12.1 dB
- Dynamics
- 14.7 dB
- ISRC
- GB5EM1701739
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (8B at 125 BPM), this version runs 4 BPM slower and moves the key from 8B to 9B.
Warewolf - Bring on the Night-time (Live at the Barbican) runs 121 BPM in G major (9B), a club-tempo progressive house record. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. More underground than 99% of Sasha's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 92% of Sasha's catalogue
- Brightness:
- darker than 89% of Sasha's catalogue
- Tempo:
- slower than 88% of Sasha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Warewolf - Bring on the Night-time (Live at the Barbican) in?
Warewolf - Bring on the Night-time (Live at the Barbican) by Sasha is in G major, or 9B on the Camelot wheel.
What BPM is Warewolf - Bring on the Night-time (Live at the Barbican)?
Warewolf - Bring on the Night-time (Live at the Barbican) runs at 121 BPM, a club-tempo track.
What mixes well with Warewolf - Bring on the Night-time (Live at the Barbican)?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Warewolf - Bring on the Night-time (Live at the Barbican) good for peak time?
With energy 63 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 121 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More progressive house
More from Sasha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
