Chrysocyon - Chris Fortier Remix by Antrim cover art

Chrysocyon - Chris Fortier Remix

Antrim

30s preview

Key
2B · F♯ major
BPM
121
Open Key
7d
Energy
64/100
Pop
0/100
Length
8:12
Released
2016
Album
Chrysocyon EP
Genre
Progressive House
Loudness
-11.6 dB
Dynamics
9.6 dB
ISRC
US83Z1927042

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (8B at 122 BPM), this version runs 1 BPM slower and moves the key from 8B to 2B.

At 121 BPM in F♯ major (2B), Chrysocyon - Chris Fortier Remix is a club-tempo progressive house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Antrim's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 86% of Antrim's catalogue
Energy:
calmer than 81% of Antrim's catalogue
Low end:
more bass-heavy than 79% of Antrim's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood14Dark
Groove81
Acoustic22
Instrumental87
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Chrysocyon - Chris Fortier Remix in?

Chrysocyon - Chris Fortier Remix by Antrim is in F♯ major, or 2B on the Camelot wheel.

What BPM is Chrysocyon - Chris Fortier Remix?

Chrysocyon - Chris Fortier Remix runs at 121 BPM, a club-tempo track.

What mixes well with Chrysocyon - Chris Fortier Remix?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Chrysocyon - Chris Fortier Remix good for peak time?

With energy 64 out of 100 at 121 BPM, it works best as a mid-set roller.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 121 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More progressive house

More from Antrim

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track