Hiatus - Smight Remix
- BPM
- 121
- Open Key
- 8d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 8:44
- Released
- 2004
- Album
- Hiatus EP
- Genre
- House
- Loudness
- -10.6 dB
- ISRC
- USA2P0600876
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hiatusoriginal3A · 125
- Hiatus - Evrydaydowners Remixremix5A · 130
- Hiatus - Kingkade Remixremix9B · 128
Against the original (3A at 125 BPM), this version runs 4 BPM slower and moves the key from 3A to 3B.
Hiatus - Smight Remix runs 121 BPM in D♭ major (3B), a club-tempo house record. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Slower than 99% of Chris Lake's catalogue.
- Reach:
- more underground than 99% of Chris Lake's catalogue
- Energy:
- calmer than 95% of Chris Lake's catalogue
- Groove:
- groovier than 82% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hiatus - Smight Remix in?
Hiatus - Smight Remix by Chris Lake is in D♭ major, or 3B on the Camelot wheel.
What BPM is Hiatus - Smight Remix?
Hiatus - Smight Remix runs at 121 BPM, a club-tempo track.
What mixes well with Hiatus - Smight Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Hiatus - Smight Remix good for peak time?
With energy 63 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 121 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
