Between Two Loves by Toman cover art

Between Two Loves

Toman

Key
10A · B minor
BPM
121
Open Key
3m
Energy
64/100
Pop
2/100
Length
6:37
Released
2016
Genre
Tech House
Loudness
-9.1 dB
ISRC
GB-SMU-31-23211

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Between Two Loves sits in B minor (10A) at 121 BPM. Tonally it lands punchy, neutral in mood. A 2016 production that still circulates in sets. Slower than 99% of Toman's catalogue. For programming, treat it as a mid-set roller.

Groove:
less groove-driven than 99% of Toman's catalogue
Energy:
calmer than 96% of Toman's catalogue
Reach:
more underground than 84% of Toman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood42Balanced
Groove65
Acoustic1
Instrumental62
Live12
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Between Two Loves in?

Between Two Loves by Toman is in B minor, or 10A on the Camelot wheel.

What BPM is Between Two Loves?

Between Two Loves runs at 121 BPM, a club-tempo track.

What mixes well with Between Two Loves?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Between Two Loves good for peak time?

With energy 64 out of 100 at 121 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 121 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More tech house

More from Toman

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track