What Remains - Oliver Schories Remix
30s preview
- BPM
- 121
- Open Key
- 4m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2016
- Album
- What Remains
- Genre
- Tech House
- Loudness
- -10.4 dB
- Dynamics
- 10.0 dB
- ISRC
- DETO31600100
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 121 BPM in F♯ minor (11A), What Remains - Oliver Schories Remix is a club-tempo tech house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 92% of Oliver Schories's catalogue
- Tempo:
- slower than 90% of Oliver Schories's catalogue
- Brightness:
- darker than 78% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is What Remains - Oliver Schories Remix in?
What Remains - Oliver Schories Remix by Oliver Schories is in F♯ minor, or 11A on the Camelot wheel.
What BPM is What Remains - Oliver Schories Remix?
What Remains - Oliver Schories Remix runs at 121 BPM, a club-tempo track.
What mixes well with What Remains - Oliver Schories Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is What Remains - Oliver Schories Remix good for peak time?
With energy 64 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 121 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
