Mind Control (Never Say Never)
30s preview
- BPM
- 128
- Open Key
- 4d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 6:06
- Released
- 2018
- Album
- Bass Mentality 002
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 10.2 dB
- ISRC
- UKHEZ1600020
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Mind Control (Never Say Never)original11B · 128
A peak-time tempo house cut, Mind Control (Never Say Never) sits in A major (11B) at 128 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Chris Lorenzo's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 95% of Chris Lorenzo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Mind Control (Never Say Never) in?
Mind Control (Never Say Never) by Chris Lorenzo is in A major, or 11B on the Camelot wheel.
What BPM is Mind Control (Never Say Never)?
Mind Control (Never Say Never) runs at 128 BPM, a peak-time tempo track.
What mixes well with Mind Control (Never Say Never)?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Mind Control (Never Say Never) good for peak time?
With energy 83 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lorenzo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
