Speed Trials On Acid (feat. Dan Diamond) - Extended Mix by Carl Cox cover art

Speed Trials On Acid (feat. Dan Diamond) - Extended Mix

Carl Cox

30s preview

Key
10A · B minor
BPM
132
Open Key
3m
Energy
95/100
Pop
0/100
Length
5:08
Released
2022
Album
Speed Trials On Acid (feat. Dan Diamond)
Genre
Techno
Loudness
-8.7 dB
Dynamics
11.1 dB
ISRC
GB5KW2200648

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 132 BPM), this version holds the same tempo and moves the key from 11A to 10A.

At 132 BPM in B minor (10A), Speed Trials On Acid (feat. Dan Diamond) - Extended Mix is a peak-time tempo techno production. The feel is bright and euphoric. It is vocal-led. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Carl Cox's catalogue.

Groove:
less groove-driven than 94% of Carl Cox's catalogue
Brightness:
brighter than 91% of Carl Cox's catalogue
Low end:
more treble-tilted than 91% of Carl Cox's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood78Bright
Groove57
Acoustic2
Instrumental0
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Speed Trials On Acid (feat. Dan Diamond) - Extended Mix in?

Speed Trials On Acid (feat. Dan Diamond) - Extended Mix by Carl Cox is in B minor, or 10A on the Camelot wheel.

What BPM is Speed Trials On Acid (feat. Dan Diamond) - Extended Mix?

Speed Trials On Acid (feat. Dan Diamond) - Extended Mix runs at 132 BPM, a peak-time tempo track.

What mixes well with Speed Trials On Acid (feat. Dan Diamond) - Extended Mix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Speed Trials On Acid (feat. Dan Diamond) - Extended Mix good for peak time?

With energy 95 out of 100 at 132 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 132 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 95/100).

Similar tempo

Within ±3 BPM of 132 — beatmatch without a big tempo pull.

More techno

More from Carl Cox

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track