Wait FooR Me - FooR Remix
30s preview
- BPM
- 130
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 6/100
- Length
- 4:44
- Released
- 2016
- Album
- Wait FooR Me
- Genre
- Tech House
- Loudness
- -5.4 dB
- Dynamics
- 14.1 dB
- ISRC
- FR10S1664926
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wait FooR Me - James Hype Remixremix11A · 124
- Wait FooR Me - Dots Per Inch Remixremix10A · 124
Wait FooR Me - FooR Remix is a peak-time tempo tech house track in F♯ minor (11A) at 130 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 14 dB). A 2016 production that still circulates in sets. More treble-tilted than 92% of James Hype's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 77% of James Hype's catalogue
- Tempo:
- faster than 77% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Wait FooR Me - FooR Remix in?
Wait FooR Me - FooR Remix by James Hype is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Wait FooR Me - FooR Remix?
Wait FooR Me - FooR Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Wait FooR Me - FooR Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Wait FooR Me - FooR Remix good for peak time?
With energy 94 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from James Hype
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
