Accelerate - Electro Mix
30s preview
- BPM
- 132
- Open Key
- 4d
- Energy
- 90/100
- Pop
- 1/100
- Length
- 6:25
- Released
- 2022
- Album
- Accelerate
- Genre
- Electro
- Label
- Tronic
- Loudness
- -7.2 dB
- Dynamics
- 15.2 dB
- ISRC
- GBKQU2265425
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Accelerateoriginal10A · 135
At 132 BPM in A major (11B), Accelerate - Electro Mix is a peak-time tempo electro production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 97% of Christian Smith's catalogue.
- Brightness:
- brighter than 85% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Accelerate - Electro Mix in?
Accelerate - Electro Mix by Christian Smith is in A major, or 11B on the Camelot wheel.
What BPM is Accelerate - Electro Mix?
Accelerate - Electro Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Accelerate - Electro Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Accelerate - Electro Mix good for peak time?
With energy 90 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 132 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
![2009–2010 [O-Ton Reassembled 6] by Luke Slater cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/02c0c226fa5a6874c0b3.webp){kind=small}
![2016–2017 [O-Ton Reassembled 4] by Luke Slater cover art](https://i.scdn.co/image/ab67616d00001e02a4fc38784ed7e03a14d865ef){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
