Favourite One (extended mix)
- BPM
- 132
- Open Key
- 4m
- Energy
- 81/100
- Pop
- 48/100
- Length
- 3:28
- Released
- 2025
- Genre
- House
- Loudness
- -5.7 dB
- ISRC
- GXFCP2500180
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo house cut, Favourite One (extended mix) sits in F♯ minor (11A) at 132 BPM. The feel is punchy, neutral in mood. It is vocal-led. Faster than 93% of Chris Lake's catalogue.
- Reach:
- better known than 90% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Favourite One (extended mix) in?
Favourite One (extended mix) by Chris Lake is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Favourite One (extended mix)?
Favourite One (extended mix) runs at 132 BPM, a peak-time tempo track.
What mixes well with Favourite One (extended mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Favourite One (extended mix) good for peak time?
With energy 81 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 132 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
