Disco Hits (feat. Hayley Topping) - Gerd Janson Remix
30s preview
- Key
- 8B · C major
- BPM
- 132
- Open Key
- 1d
- Energy
- 81/100
- Pop
- 5/100
- Length
- 6:23
- Released
- 2021
- Album
- Disco Hits
- Genre
- House
- Label
- Trick
- Loudness
- -7.6 dB
- Dynamics
- 9.4 dB
- ISRC
- GBJX32163013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Disco Hitsoriginal9A · 132
Against the original (9A at 132 BPM), this version holds the same tempo and moves the key from 9A to 8B.
Disco Hits (feat. Hayley Topping) - Gerd Janson Remix is a peak-time tempo house track in C major (8B) at 132 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 93% of Patrick Topping's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 82% of Patrick Topping's catalogue
- Tempo:
- faster than 81% of Patrick Topping's catalogue
- Brightness:
- brighter than 81% of Patrick Topping's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Disco Hits (feat. Hayley Topping) - Gerd Janson Remix in?
Disco Hits (feat. Hayley Topping) - Gerd Janson Remix by Patrick Topping is in C major, or 8B on the Camelot wheel.
What BPM is Disco Hits (feat. Hayley Topping) - Gerd Janson Remix?
Disco Hits (feat. Hayley Topping) - Gerd Janson Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Disco Hits (feat. Hayley Topping) - Gerd Janson Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Disco Hits (feat. Hayley Topping) - Gerd Janson Remix good for peak time?
With energy 81 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![2009–2010 [O-Ton Reassembled 6] by Luke Slater cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/02c0c226fa5a6874c0b3.webp){kind=small}
![2016–2017 [O-Ton Reassembled 4] by Luke Slater cover art](https://i.scdn.co/image/ab67616d00001e02a4fc38784ed7e03a14d865ef){kind=small}
How to mix it
In 8B at 132 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Patrick Topping
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
