925 (Four Tet remix)
30s preview
- BPM
- 132
- Open Key
- 3d
- Energy
- 77/100
- Pop
- 40/100
- Length
- 3:45
- Released
- 2025
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 11.2 dB
- ISRC
- GBUM72507305
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 925original10B · 132
Against the original (10B at 132 BPM), this version holds the same tempo in the same key.
At 132 BPM in D major (10B), 925 (Four Tet remix) is a peak-time tempo house production. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 93% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 84% of Chris Lake's catalogue
- Low end:
- more bass-heavy than 81% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is 925 (Four Tet remix) in?
925 (Four Tet remix) by Chris Lake is in D major, or 10B on the Camelot wheel.
What BPM is 925 (Four Tet remix)?
925 (Four Tet remix) runs at 132 BPM, a peak-time tempo track.
What mixes well with 925 (Four Tet remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is 925 (Four Tet remix) good for peak time?
With energy 77 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 132 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
