Come Back Around - Maya Jane Coles Extended Mix
30s preview
- Key
- 9B · G major
- BPM
- 132
- Open Key
- 2d
- Energy
- 69/100
- Pop
- 9/100
- Length
- 5:39
- Released
- 2021
- Album
- Come Back Around (Maya Jane Coles Remix)
- Genre
- Deep House
- Loudness
- -7.9 dB
- Dynamics
- 9.0 dB
- ISRC
- GBEWA2106391
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Back Around - Maya Jane Coles Remixremix9B · 132
- Come Back Aroundoriginal6A · 125
- Come Back Around - Eli & Fur Club Mixversion9B · 126
- Come Back Around (club mix)version6A · 125
Against the original (6A at 125 BPM), this version runs 7 BPM faster and moves the key from 6A to 9B.
A peak-time tempo deep house cut, Come Back Around - Maya Jane Coles Extended Mix sits in G major (9B) at 132 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 96% of Eli & Fur's catalogue.
- Brightness:
- brighter than 86% of Eli & Fur's catalogue
- Groove:
- groovier than 78% of Eli & Fur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Come Back Around - Maya Jane Coles Extended Mix in?
Come Back Around - Maya Jane Coles Extended Mix by Eli & Fur is in G major, or 9B on the Camelot wheel.
What BPM is Come Back Around - Maya Jane Coles Extended Mix?
Come Back Around - Maya Jane Coles Extended Mix runs at 132 BPM, a peak-time tempo track.
What mixes well with Come Back Around - Maya Jane Coles Extended Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Come Back Around - Maya Jane Coles Extended Mix good for peak time?
With energy 69 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 132 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More deep house
More from Eli & Fur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
