Something Was Real by Eli & Fur cover art

Something Was Real

Eli & Fur

Key
1A · A♭ minor
BPM
182
Half-time
91
Open Key
6m
Energy
56/100
Pop
54/100
Length
3:43
Released
2018
Genre
Downtempo
Label
Anjunadeep
Loudness
-13.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Something Was Real runs 182 BPM in A♭ minor (1A), a downtempo record. Tonally it lands bright and easy. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Faster than 99% of Eli & Fur's catalogue. For programming, treat it as an opener or closing-set piece.

Reach:
better known than 98% of Eli & Fur's catalogue
Brightness:
brighter than 92% of Eli & Fur's catalogue
Energy:
calmer than 84% of Eli & Fur's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy56
Mood68Bright
Groove65
Acoustic68
Instrumental74
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Something Was Real in?

Something Was Real by Eli & Fur is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Something Was Real?

Something Was Real runs at 182 BPM.

What mixes well with Something Was Real?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Something Was Real good for peak time?

With energy 56 out of 100 at 182 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 182 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 171-193 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 182 — beatmatch without a big tempo pull.

#Track

More downtempo

#Track

More from Eli & Fur

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 182 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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