Every One
- BPM
- 91
- Double-time
- 182
- Open Key
- 5m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 2:56
- Released
- 2010
- Album
- No Borders
- Genre
- Downtempo
- Loudness
- -8.5 dB
- ISRC
- USLD90801143
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo downtempo cut, Every One sits in D♭ minor (12A) at 91 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. It is vocal-led. A 2010 production that still circulates in sets. More underground than 99% of GMJ's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 97% of GMJ's catalogue
- Brightness:
- brighter than 94% of GMJ's catalogue
- Energy:
- calmer than 85% of GMJ's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Every One in?
Every One by GMJ is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Every One?
Every One runs at 91 BPM, a slow-groove tempo track.
What mixes well with Every One?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Every One good for peak time?
With energy 65 out of 100 at 91 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 91 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 86-96 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 91 — beatmatch without a big tempo pull.
More downtempo
More from GMJ
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 91 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
