Critical Error - Original Mix
30s preview
- BPM
- 130
- Open Key
- 4d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 5:38
- Released
- 2014
- Album
- Critical Error
- Genre
- Progressive House
- Loudness
- -5.5 dB
- Dynamics
- 11.4 dB
- ISRC
- DEBY70989606
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Critical Error - Lazy Rich Remixremix11B · 130
Critical Error - Original Mix runs 130 BPM in A major (11B), a peak-time tempo progressive house record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. More underground than 99% of Roy Rosenfeld's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 98% of Roy Rosenfeld's catalogue
- Brightness:
- brighter than 87% of Roy Rosenfeld's catalogue
- Low end:
- more treble-tilted than 83% of Roy Rosenfeld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Critical Error - Original Mix in?
Critical Error - Original Mix by Roy Rosenfeld is in A major, or 11B on the Camelot wheel.
What BPM is Critical Error - Original Mix?
Critical Error - Original Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Critical Error - Original Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Critical Error - Original Mix good for peak time?
With energy 82 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 130 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from Roy Rosenfeld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
