All That Matters - Kryder Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 95/100
- Pop
- 17/100
- Length
- 3:30
- Released
- 2012
- Album
- All That Matters (Kryder Remix)
- Genre
- Progressive House
- Label
- Axtone Records
- Loudness
- -4.1 dB
- Dynamics
- 15.6 dB
- ISRC
- DEU671500070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All That Mattersoriginal8A · 125
- All That Matters - ARTBAT Remix Radio Editremix8B · 125
- All That Matters - Radio Editversion8A · 124
- All That Matters - Kryder Remixremix8A · 128
- All that Matters - Symphony of Unity - strings reimaginedoriginal8A · 125
- All That Matters (feat. Troels Abrahamsen) - Kryder Radio Editversion8A · 128
Against the original (8A at 125 BPM), this version runs 3 BPM faster in the same key.
All That Matters - Kryder Radio Edit: peak-time tempo progressive house, A minor (8A), 128 BPM. It reads as dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2012 production that still circulates in sets. Hotter than 96% of Kölsch's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 93% of Kölsch's catalogue
- Tempo:
- faster than 84% of Kölsch's catalogue
- Brightness:
- brighter than 82% of Kölsch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is All That Matters - Kryder Radio Edit in?
All That Matters - Kryder Radio Edit by Kölsch is in A minor, or 8A on the Camelot wheel.
What BPM is All That Matters - Kryder Radio Edit?
All That Matters - Kryder Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with All That Matters - Kryder Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is All That Matters - Kryder Radio Edit good for peak time?
With energy 95 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Kölsch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Niton [The Reason] - Original Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
