Reverie - Michael Calfan Edit
- BPM
- 128
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 1/100
- Length
- 3:35
- Released
- 2013
- Album
- Reverie
- Genre
- Progressive House
- Label
- Axtone Records
- Loudness
- -2.3 dB
- ISRC
- GBKCF1300281
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Reverie - Original Mixoriginal10B · 126
- Reverie - Michael Calfan Remixremix11A · 128
- Reverie - Radio Editversion10B · 126
Against the original (10B at 126 BPM), this version runs 2 BPM faster and moves the key from 10B to 11A.
Reverie - Michael Calfan Edit is a peak-time tempo progressive house track in F♯ minor (11A) at 128 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2013 production that still circulates in sets. Hotter than 89% of Marcus Schössow's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 81% of Marcus Schössow's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Reverie - Michael Calfan Edit in?
Reverie - Michael Calfan Edit by Marcus Schössow is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Reverie - Michael Calfan Edit?
Reverie - Michael Calfan Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Reverie - Michael Calfan Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Reverie - Michael Calfan Edit good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Niton [The Reason] - Original Mix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Marcus Schössow
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
