Offsides (extended) by Spencer Brown cover art

Offsides (extended)

Spencer Brown

Key
12A · D♭ minor
BPM
128
Open Key
5m
Energy
93/100
Pop
24/100
Length
2:57
Released
2025
Genre
Progressive House
Loudness
-8.0 dB
ISRC
USZ4V2500161

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Offsides (extended) is a peak-time tempo progressive house track in D♭ minor (12A) at 128 BPM. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. Brighter than 99% of Spencer Brown's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 92% of Spencer Brown's catalogue
Tempo:
faster than 91% of Spencer Brown's catalogue
Reach:
better known than 87% of Spencer Brown's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood82Bright
Groove70
Acoustic0
Instrumental86
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Offsides (extended) in?

Offsides (extended) by Spencer Brown is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Offsides (extended)?

Offsides (extended) runs at 128 BPM, a peak-time tempo track.

What mixes well with Offsides (extended)?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Offsides (extended) good for peak time?

With energy 93 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More progressive house

More from Spencer Brown

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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