The Sweetest Thing (vinyl cut)
- BPM
- 120
- Open Key
- 3m
- Energy
- 81/100
- Pop
- 1/100
- Length
- 4:53
- Released
- 2012
- Genre
- Tech House
- Loudness
- -7.9 dB
- ISRC
- DEL021220041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Sweetest Thing (vinyl cut) runs 120 BPM in B minor (10A), a club-tempo tech house record. The feel is dark and driving. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. Slower than 91% of Alex Niggemann's catalogue. In a set it works best as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Sweetest Thing (vinyl cut) in?
The Sweetest Thing (vinyl cut) by Alex Niggemann is in B minor, or 10A on the Camelot wheel.
What BPM is The Sweetest Thing (vinyl cut)?
The Sweetest Thing (vinyl cut) runs at 120 BPM, a club-tempo track.
What mixes well with The Sweetest Thing (vinyl cut)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is The Sweetest Thing (vinyl cut) good for peak time?
With energy 81 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Alex Niggemann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
