Get Up and Dance - Extended Mix
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 79/100
- Pop
- 2/100
- Length
- 5:43
- Released
- 2023
- Album
- Dialled In Vol. 1
- Genre
- Tech House
- Loudness
- -10.8 dB
- Dynamics
- 12.0 dB
- ISRC
- GBJX32352550
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Up and Danceoriginal3B · 130
Against the original (3B at 130 BPM), this version holds the same tempo and moves the key from 3B to 3A.
Get Up and Dance - Extended Mix: peak-time tempo tech house, B♭ minor (3A), 130 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 79% of Seb Zito's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Get Up and Dance - Extended Mix in?
Get Up and Dance - Extended Mix by Seb Zito is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Get Up and Dance - Extended Mix?
Get Up and Dance - Extended Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Get Up and Dance - Extended Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Get Up and Dance - Extended Mix good for peak time?
With energy 79 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from Seb Zito
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
