Lionheart - Skyden Extended Remix
30s preview
- Key
- 8B · C major
- BPM
- 128
- Open Key
- 1d
- Energy
- 78/100
- Pop
- 1/100
- Length
- 6:30
- Released
- 2015
- Album
- Lionheart (Remixes)
- Genre
- Electro
- Label
- disco:wax
- Loudness
- -4.2 dB
- Dynamics
- 15.6 dB
- ISRC
- NLF711504476
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lionheartoriginal9B · 120
- Lionheart - Jenaux Remixremix8A · 126
- Lionheart - Marcus Schossow Future Groove Mixoriginal9B · 126
- Lionheart - Marcus Schossow Future Groove Radio Editversion8A · 126
- Lionheart - Alternative Extended Mixversion8B · 120
- Lionheart - Alternative Mixoriginal8B · 120
Against the original (9B at 120 BPM), this version runs 8 BPM faster and moves the key from 9B to 8B.
Lionheart - Skyden Extended Remix: peak-time tempo electro, C major (8B), 128 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2015 production that still circulates in sets. More treble-tilted than 98% of Marcus Schössow's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 80% of Marcus Schössow's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Lionheart - Skyden Extended Remix in?
Lionheart - Skyden Extended Remix by Marcus Schössow is in C major, or 8B on the Camelot wheel.
What BPM is Lionheart - Skyden Extended Remix?
Lionheart - Skyden Extended Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Lionheart - Skyden Extended Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Lionheart - Skyden Extended Remix good for peak time?
With energy 78 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More electro
![Helium (feat. Jareth) [Tom Swoon Remix] by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2f3c88e76bc9c7b8e97f.webp){kind=small}
More from Marcus Schössow
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
