Lionheart - Skyden Remix by Marcus Schössow cover art

Lionheart - Skyden Remix

Marcus Schössow

30s preview

Key
8B · C major
BPM
128
Open Key
1d
Energy
82/100
Pop
0/100
Length
3:39
Released
2015
Album
Lionheart (Remixes)
Genre
Electro
Label
disco:wax
Loudness
-3.7 dB
Dynamics
12.6 dB
ISRC
NLF711504480

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 120 BPM), this version runs 8 BPM faster and moves the key from 9B to 8B.

Lionheart - Skyden Remix is a peak-time tempo electro track in C major (8B) at 128 BPM. The feel is dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of Marcus Schössow's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 99% of Marcus Schössow's catalogue
Groove:
less groove-driven than 96% of Marcus Schössow's catalogue
Brightness:
darker than 82% of Marcus Schössow's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood11Dark
Groove41
Acoustic1
Instrumental0
Live27
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Lionheart - Skyden Remix in?

Lionheart - Skyden Remix by Marcus Schössow is in C major, or 8B on the Camelot wheel.

What BPM is Lionheart - Skyden Remix?

Lionheart - Skyden Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with Lionheart - Skyden Remix?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Lionheart - Skyden Remix good for peak time?

With energy 82 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 128 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 82/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More electro

More from Marcus Schössow

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track