Turn Off The Lights - Cloonee Remix
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 41/100
- Pop
- 1/100
- Length
- 3:19
- Released
- 2022
- Album
- Turn Off The Lights (Cloonee Remix)
- Genre
- House
- Loudness
- -7.0 dB
- Dynamics
- 10.5 dB
- ISRC
- QZA742103963
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Turn off the Lightsoriginal10A · 125
- Turn off the Lights - Cages Remixremix10A · 125
Against the original (10A at 125 BPM), this version runs 3 BPM faster in the same key.
A peak-time tempo house cut, Turn Off The Lights - Cloonee Remix sits in B minor (10A) at 128 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 99% of Chris Lake's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 98% of Chris Lake's catalogue
- Brightness:
- darker than 87% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Turn Off The Lights - Cloonee Remix in?
Turn Off The Lights - Cloonee Remix by Chris Lake is in B minor, or 10A on the Camelot wheel.
What BPM is Turn Off The Lights - Cloonee Remix?
Turn Off The Lights - Cloonee Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Turn Off The Lights - Cloonee Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Turn Off The Lights - Cloonee Remix good for peak time?
With energy 41 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
