Seeing Is Believing - Manik NYC Remix Edit
- BPM
- 125
- Open Key
- 3m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 3:36
- Released
- 2014
- Album
- Seeing Is Believing
- Genre
- Deep House
- Loudness
- -7.4 dB
- ISRC
- GBCPZ1408036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Seeing Is Believing - Davidian Remixremix9A · 125
- Seeing Is Believing - Davidian Remix Editremix9A · 125
- Seeing Is Believing - Editversion11A · 125
- Seeing Is Believing - Manik NYC Remixremix10A · 125
- Seeing Is Believingoriginal11A · 125
Against the original (11A at 125 BPM), this version holds the same tempo and moves the key from 11A to 10A.
At 125 BPM in B minor (10A), Seeing Is Believing - Manik NYC Remix Edit is a club-tempo deep house production. The groove is strong and floor-ready. It is vocal-led. A 2014 production that still circulates in sets. More underground than 99% of Eli & Fur's catalogue.
- Groove:
- groovier than 97% of Eli & Fur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Seeing Is Believing - Manik NYC Remix Edit in?
Seeing Is Believing - Manik NYC Remix Edit by Eli & Fur is in B minor, or 10A on the Camelot wheel.
What BPM is Seeing Is Believing - Manik NYC Remix Edit?
Seeing Is Believing - Manik NYC Remix Edit runs at 125 BPM, a club-tempo track.
What mixes well with Seeing Is Believing - Manik NYC Remix Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Seeing Is Believing - Manik NYC Remix Edit good for peak time?
With energy 76 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Eli & Fur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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