Talk On by Nathan Barato cover art
Key
11A · F♯ minor
BPM
125
Open Key
4m
Energy
76/100
Pop
7/100
Length
6:37
Released
2016
Genre
Tech House
Loudness
-7.0 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Talk On runs 125 BPM in F♯ minor (11A), a club-tempo tech house record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2016 production that still circulates in sets. Better known than 88% of Nathan Barato's catalogue. For programming, treat it as a peak-time weapon.

Groove:
less groove-driven than 79% of Nathan Barato's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood38Balanced
Groove78
Acoustic0
Instrumental75
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Talk On in?

Talk On by Nathan Barato is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Talk On?

Talk On runs at 125 BPM, a club-tempo track.

What mixes well with Talk On?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Talk On good for peak time?

With energy 76 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 76/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Nathan Barato

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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