You've Done Enough - Terrace Dub
30s preview
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 76/100
- Pop
- 12/100
- Length
- 5:09
- Released
- 2021
- Album
- You’ve Done Enough (John Summit Remix)
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 12.1 dB
- ISRC
- GBUM72100047
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You've Done Enough - John Summit Remixremix8B · 126
- You've Done Enough - Tom & Collins Remixremix4A · 125
- You've Done Enough (with DRAMA) - The Purple Prince Versionoriginal6A · 124
- You've Done Enoughoriginal6A · 125
- You've Done Enough (extended mix)version8B · 125
- You've Done Enough - Printworks Livestreamoriginal8B · 125
Against the original (6A at 124 BPM), this version runs 1 BPM faster and moves the key from 6A to 8B.
You've Done Enough - Terrace Dub: club-tempo house, C major (8B), 125 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is You've Done Enough - Terrace Dub in?
You've Done Enough - Terrace Dub by Gorgon City is in C major, or 8B on the Camelot wheel.
What BPM is You've Done Enough - Terrace Dub?
You've Done Enough - Terrace Dub runs at 125 BPM, a club-tempo track.
What mixes well with You've Done Enough - Terrace Dub?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is You've Done Enough - Terrace Dub good for peak time?
With energy 76 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Gorgon City
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
