You've Done Enough - John Summit Remix
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 87/100
- Pop
- 32/100
- Length
- 3:46
- Released
- 2021
- Album
- You’ve Done Enough (John Summit Remix)
- Genre
- House
- Loudness
- -6.9 dB
- Dynamics
- 12.9 dB
- ISRC
- GBUM72100366
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You've Done Enough - Tom & Collins Remixremix4A · 125
- You've Done Enough (with DRAMA) - The Purple Prince Versionoriginal6A · 124
- You've Done Enoughoriginal6A · 125
- You've Done Enough (extended mix)version8B · 125
- You've Done Enough - Terrace Dubversion8B · 125
- You've Done Enough - Printworks Livestreamoriginal8B · 125
Against the original (6A at 124 BPM), this version runs 2 BPM faster and moves the key from 6A to 8B.
At 126 BPM in C major (8B), You've Done Enough - John Summit Remix is a club-tempo house production. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Brighter than 88% of Gorgon City's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 83% of Gorgon City's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is You've Done Enough - John Summit Remix in?
You've Done Enough - John Summit Remix by Gorgon City is in C major, or 8B on the Camelot wheel.
What BPM is You've Done Enough - John Summit Remix?
You've Done Enough - John Summit Remix runs at 126 BPM, a club-tempo track.
What mixes well with You've Done Enough - John Summit Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is You've Done Enough - John Summit Remix good for peak time?
With energy 87 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
![Endless [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
