Der Alchemyst by Boris Brejcha cover art

Der Alchemyst

Boris Brejcha

30s preview

Key
10A · B minor
BPM
125
Open Key
3m
Energy
74/100
Pop
6/100
Length
8:51
Released
2013
Genre
Techno
Label
Harthouse Mannheim
Loudness
-8.1 dB
Dynamics
9.4 dB
ISRC
DEAZ31305701

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo techno cut, Der Alchemyst sits in B minor (10A) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 90% of Boris Brejcha's catalogue
Energy:
hotter than 79% of Boris Brejcha's catalogue
Low end:
more treble-tilted than 76% of Boris Brejcha's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy74
Mood55Balanced
Groove80
Acoustic0
Instrumental86
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Der Alchemyst in?

Der Alchemyst by Boris Brejcha is in B minor, or 10A on the Camelot wheel.

What BPM is Der Alchemyst?

Der Alchemyst runs at 125 BPM, a club-tempo track.

What mixes well with Der Alchemyst?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Der Alchemyst good for peak time?

With energy 74 out of 100 at 125 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from Boris Brejcha

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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