Bounce - Original Mix
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 78/100
- Pop
- 1/100
- Length
- 6:26
- Released
- 2012
- Album
- Bounce
- Genre
- Progressive House
- Loudness
- -6.6 dB
- Dynamics
- 8.8 dB
- ISRC
- CAQ221200017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bounce - Alli Borem Remixremix12B · 123
A club-tempo progressive house cut, Bounce - Original Mix sits in D major (10B) at 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. Groovier than 89% of Roy Rosenfeld's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 86% of Roy Rosenfeld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Bounce - Original Mix in?
Bounce - Original Mix by Roy Rosenfeld is in D major, or 10B on the Camelot wheel.
What BPM is Bounce - Original Mix?
Bounce - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Bounce - Original Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Bounce - Original Mix good for peak time?
With energy 78 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
![Operator (Ring Ring) [feat. Dances With White Girls] - Will Clarke Remix by Chris Lake cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/23bd289d898d58249bf3.webp){kind=small}
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Roy Rosenfeld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
