Get By
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 78/100
- Pop
- 7/100
- Length
- 5:08
- Released
- 2023
- Album
- The Fine Line in Between
- Genre
- Ambient
- Label
- Survival Tactics
- Loudness
- -11.5 dB
- Dynamics
- 8.4 dB
- ISRC
- DEVU52314300
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo ambient cut, Get By sits in D♭ major (3B) at 125 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Brighter than 94% of Tal Fussman's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 87% of Tal Fussman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Get By in?
Get By by Tal Fussman is in D♭ major, or 3B on the Camelot wheel.
What BPM is Get By?
Get By runs at 125 BPM, a club-tempo track.
What mixes well with Get By?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Get By good for peak time?
With energy 78 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More ambient
More from Tal Fussman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
