The Tower by Patrice Bäumel cover art

30s preview

Key
4B · A♭ major
BPM
125
Open Key
9d
Energy
78/100
Pop
0/100
Length
5:52
Released
2014
Genre
Tech House
Loudness
-11.5 dB
Dynamics
11.1 dB
ISRC
GBENT0140339

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Tower: club-tempo tech house, A♭ major (4B), 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. More underground than 99% of Patrice Bäumel's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood40Balanced
Groove77
Acoustic0
Instrumental89
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
11%
High
2.5-11 kHz

FAQ

What key is The Tower in?

The Tower by Patrice Bäumel is in A♭ major, or 4B on the Camelot wheel.

What BPM is The Tower?

The Tower runs at 125 BPM, a club-tempo track.

What mixes well with The Tower?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is The Tower good for peak time?

With energy 78 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Patrice Bäumel

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track