Sneaky Monkey - Original Mix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 78/100
- Pop
- 2/100
- Length
- 8:12
- Released
- 2010
- Album
- Sneaky Monkey
- Genre
- Progressive House
- Label
- Definitive Recordings
- Loudness
- -9.3 dB
- Dynamics
- 12.6 dB
- ISRC
- CAQ221000043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sneaky Monkey - Guy J Remixremix2B · 123
- Sneaky Monkey - Audio Junkies Big Room Mixoriginal2B · 125
At 125 BPM in B♭ minor (3A), Sneaky Monkey - Original Mix is a club-tempo progressive house production. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. Brighter than 98% of Guy Mantzur's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 79% of Guy Mantzur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Sneaky Monkey - Original Mix in?
Sneaky Monkey - Original Mix by Guy Mantzur is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Sneaky Monkey - Original Mix?
Sneaky Monkey - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Sneaky Monkey - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Sneaky Monkey - Original Mix good for peak time?
With energy 78 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Guy Mantzur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
