After Rain comes Sun - Joris Voorn Dusty Dub Stab
30s preview
- BPM
- 125
- Open Key
- 4d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:43
- Released
- 2010
- Album
- Remix:Session 04
- Genre
- Tech House
- Loudness
- -8.3 dB
- Dynamics
- 13.0 dB
- ISRC
- DEDH71000001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- After Rain Comes Sunoriginal9B · 125
Against the original (9B at 125 BPM), this version holds the same tempo and moves the key from 9B to 11B.
A club-tempo tech house cut, After Rain comes Sun - Joris Voorn Dusty Dub Stab sits in A major (11B) at 125 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. Brighter than 99% of Solomun's catalogue.
- Reach:
- more underground than 99% of Solomun's catalogue
- Energy:
- hotter than 77% of Solomun's catalogue
- Groove:
- groovier than 77% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is After Rain comes Sun - Joris Voorn Dusty Dub Stab in?
After Rain comes Sun - Joris Voorn Dusty Dub Stab by Solomun is in A major, or 11B on the Camelot wheel.
What BPM is After Rain comes Sun - Joris Voorn Dusty Dub Stab?
After Rain comes Sun - Joris Voorn Dusty Dub Stab runs at 125 BPM, a club-tempo track.
What mixes well with After Rain comes Sun - Joris Voorn Dusty Dub Stab?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is After Rain comes Sun - Joris Voorn Dusty Dub Stab good for peak time?
With energy 78 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Solomun
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
