After Rain Comes Sun
30s preview
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 51/100
- Pop
- 0/100
- Length
- 7:29
- Released
- 2009
- Genre
- Tech House
- Loudness
- -8.4 dB
- Dynamics
- 10.9 dB
- ISRC
- DEDH70900029
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- After Rain comes Sun - Joris Voorn Dusty Dub Stabversion11B · 125
After Rain Comes Sun runs 125 BPM in G major (9B), a club-tempo tech house record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. More underground than 99% of Solomun's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 84% of Solomun's catalogue
- Energy:
- calmer than 80% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is After Rain Comes Sun in?
After Rain Comes Sun by Solomun is in G major, or 9B on the Camelot wheel.
What BPM is After Rain Comes Sun?
After Rain Comes Sun runs at 125 BPM, a club-tempo track.
What mixes well with After Rain Comes Sun?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is After Rain Comes Sun good for peak time?
With energy 51 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Solomun
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
