Ducktape by Boris Brejcha cover art

30s preview

Key
11B · A major
BPM
125
Open Key
4d
Energy
52/100
Pop
0/100
Length
7:35
Released
2020
Genre
Tech House
Loudness
-12.5 dB
Dynamics
10.6 dB
ISRC
USUS12000326

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Ducktape is a club-tempo tech house track in A major (11B) at 125 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 99% of Boris Brejcha's catalogue
Low end:
more bass-heavy than 92% of Boris Brejcha's catalogue
Energy:
calmer than 79% of Boris Brejcha's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood27Dark
Groove80
Acoustic0
Instrumental92
Live9
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
14%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Ducktape in?

Ducktape by Boris Brejcha is in A major, or 11B on the Camelot wheel.

What BPM is Ducktape?

Ducktape runs at 125 BPM, a club-tempo track.

What mixes well with Ducktape?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Ducktape good for peak time?

With energy 52 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#Track

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More tech house

More from Boris Brejcha

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track